Showing posts with label Essay. Show all posts
Showing posts with label Essay. Show all posts

Friday, January 30, 2015

Week 3: Essay--Vengeance and Fidelity: The Persona of Juno

[This week’s essay topic is going to be less serious than last week’s—a vengeful wife rather than incest.  And not just a vengeful wife, but a vengeful goddess.  Let’s get to it!]


I have often found it interesting that the Greek Hera and the Roman Juno can be different versions of the same entity and yet at the same time have completely different reputations.  Whereas Hera is seen as the goddess of the hearth, the mother of all, and a kindly matron, Juno comes across as more vengeful and vindictive.  While she has many of the same characteristics of Hera, she transforms into a crueler mistress because of the different emphases found in Roman culture.  The stories in Ovid’s Metamorphoses,books 1-4, show this change in personality in many stories.

Take, for instance, the story of Io; here Jupiter rapes Io, but in trying to conceal his actions from Juno he actually attracts her attention.  Juno, being rightfully suspicious, comes down and asks Jupiter for a gift—Io—who Jupiter had turned into a white heifer.  Knowing the identity of the cow, Juno keeps Io imprisoned for a long period of time, treating her cruelly because of Jupiter’s dalliance.  It is only upon Jupiter’s urging and begging that Io be set free that Juno finally relents and ends her vengeful tirade.

Not too much later, Ovid tells the story of Semele, another girl who ends up in a relationship with Jupiter.  Here Juno turns Semele’s curiosity against her, urging Semele to ask Jupiter for one gift—to see his true form.  Juno does this while in the guise of an elderly woman, seemingly advising Semele to be wary of her lover’s deception.  But, in fact, Juno knows that if Semele is to see Jupiter’s true form, the mortal Semele will be destroyed.  Thus her play is simply another vindictive act to get back at Jupiter for his various affairs.


No longer is Juno a warm, comforting, matron of the house.  No longer is she simply someone to ask for advice in times of domestic troubles.  Instead, she is this figure with an additional side, a vengeful, harsh, and cruel side; and above all she is a faithful wife who works tirelessly to ensure her husband’s fidelity, punishing him and others whenever Jupiter may stray.


Image Info.  Jupiter and Juno, painting by Annibale Carracci.  Wikipedia.

Thursday, January 22, 2015

Week 2: Essay--Roman Stigmas Against Incestual Love in Ovid's Metamorphoses

[Soooo. . . I'm going to get nice and heavy with the topic of incestuous relationships.  Perhaps I can find a way to throw in a few underhanded comments and such, but if unnatural and stigmatized relations make you uncomfortable, consider this your warning.]


In traditional Roman society, incest was not only stigmatized by the greater population, but was also deemed an illegal act, with incestuous relationships seen as perverted and criminal desires.  This theme of incest being looked down upon and harshly criticized can be found in numerous stories of Ovid's Metamorphoses, including the tales of Byblis and of Iphis. But more particularly, throughout the language of the story of Myrrha and Cinyras, this sentiment of perversion and crime that defines incestuous relationships is clearly evident.  For example, it is stated that romantic love for your father is a crime greater than paternal hatred, and that Cupid adamantly denied having created such love so as not to be blamed for such a distasteful passion.

Indeed, even Myrrha recognizes the perversion in her feelings, constantly berating herself and attempting to deny her love.  But in addition to this denial, Myrrha also attempts to justify her desires, claiming that such love cannot in fact be sinful since it is so common among animals; in fact, if nature allows incestual acts then, she states, it most simply be the spiteful rule of humans which prevent expression of her passion.

But, even so, Ovid floods this story with a pervasive sentiment and vocabulary of crime, of sin, and of guilt.  In fact, in the description of her pregnancy terms such as "disgusting womb," "sinful burden," and "criminally conceived" mark Myrrha's actions with the greatest of stigmas and criticisms.  The profanity of her aberrant dalliance is clearly evident in Ovid's depiction of events, only further solidified by the satisfying end in which Myrrha receives her just punishment--a transformation into a tree which denies her both the joys of living and the relative peace of death.  Thus this myth serves to portray one of the traditional moral sentiments of ancient Roman society, that acts (or even feelings) of romantic passion between individuals sharing a familial relationship are among the most shameful of transgressions.



Image Information.  The Spirit of the Virgin Forest.  Mixed media photo manipulation by MaLize, 2012.  DeviantArt.

Sources.  Myrrha and Cinyras from Ovid's Metamorphoses, as translated by Tony Kline, 2000.  UnTextbook, Ovid's Metamorphoses Books 8-10.

Also, I utilized snippets and factoids from an essay of mine entitled "Stigma Against Incestual and Unnatural Romantic Attachment in Ovid's Metamorphoses," 2014.